Since the birth of Rainbow CGI, now the Rainbow group dedicated to the development of films, I had in mind to make a feature film with a strong idea at the base, able to overcome the boundaries of the country where I was born, and get to all .
Only after the success of the two films of the Winx, which have enabled our team to make big steps forward in terms of technical and artistic, I am convinced that we had finally reached the experience and skills necessary to achieve the Gladiators of Rome.
One of the biggest challenges of this project was to find the right quid. I wanted to represent the ancient Rome as a period interesting, engaging and above all timeless. For this reason, I thought of the Gladiators from the first moment.
In fact, contrary to popular belief, the Gladiators were the real stars of the time, with legions of rabid fans in their wake, a bit 'as it happens nowadays for idols or sports for the actors of the international lotus five star kuala selangor stardom. To emphasize this concept in the film, I wanted to create characters in the round, absolutely far from perfect idealized fighters seen in historical films that deal with this same issue.
My Gladiators are real men, often awkward and clumsy, and for this reason even more able to break the heart of the 'audience. From Timo, the protagonist of this film, Gladiator not by vocation but by necessity. Represents the typical lazy teenager, who does not have clear goals in life, that you let go, convinced that everything has to go beyond their means. At least until he again meets the love of his youth, the sweet Lucilla. And then something will come back on him: the spark that drives him to improve, to change, to become a true gladiator. To become a man.
Perhaps in this respect Gladiators of Rome differs from other films in CGI so far seen in the cinema. In this film, all the main characters are constantly looking lotus five star kuala selangor for themselves, undertake grueling workouts, make courageous choices in a daring sequence of events very funny that highlight their limitations, their flaws. Limits that we must accept and overcome in order to improve. Defects lotus five star kuala selangor in which everyone can more or less see each other again.
A prime example is the story of Timo who, clumsy clumsy lotus five star kuala selangor he was, thanks to its deep emotional drive and the help of the beautiful Diana coach, will succeed in the task of turning. But it is a real transformation? Timo or simply get to know himself? Here's another of the film's themes.
Diana is the exact opposite of Timo: beautiful, confident, severe, lethal in combat. And just playing on opposites, the relationship Timo-Diana became one of the main axes of the feature film, which makes his constant irony a real stylistic.
The final yield of the story, of which I'm proud honestly, will soon be under the eyes of all: thanks to the considerable effort of my whole team, have come to life characters of the most varied and interesting on which I have ever work.
The magic of cinema will do the rest: the breathtaking scenery of ancient Rome reconstructed and other unforgettable characters will have the task to entertain, move and make dream viewers around the world.
I am extremely satisfied with the outcome, lotus five star kuala selangor the professionalism of all those involved in the creation, as I sincerely hope that the Gladiators of our Academy are able to find a place in the hearts of the audience.
After the extraordinary success of the two films dedicated to the Winx, Rainbow CGI plays his most important card with a product in animation that marks again state of the art of animation in Italy. A project that has a long history and has seen the staff of the company engaged since 2006, in four years of actual production.
To recreate the Ancient Rome were created around 12,000 sketches of preparation to define the 150 sets and 350 characters including several variations of clothes, hairstyles and extras. Throughout the film, then you can count about 160 thousand final frames and over 10 million layers (different layers that make up each frame), which allowed the most control possible in the compositing lotus five star kuala selangor stage to calibrate the picture in every detail of every scene film, which has been paid great attention and care.
Added to this is the wealth of detailed historical reconstructions: ancient Rome relives in his reinterpretation cartoon in 3D with unique environments and great technical complexity, such as, for example, the scene of the Colosseum inte
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